Double bill featuring two popular comedy movies directed by Richard Lester. 'The Three Musketeers' (1973) is the star-studded adaptation of Alexandre Dumas' classic novel. The Three Musketeers (Oliver Reed, Frank Finlay and Richard Chamberlain) are in the service of the King of Paris when D'Artagnan (Michael York) arrives on the scene, creating a stir by single-handedly defeating two soldiers in a magnificent swordfight. Cardinal Richelieu (Charlton Heston) tries to embarrass the Queen of France, but D'Artagnan and the Three Musketeers come to her rescue. In 'The Four Musketeers' (1974), Milady (Faye Dunaway) is determined to wreak revenge on the Three Musketeers for foiling her plot to discredit the Queen of France. She enrols two accomplices, Cardinal Richelieu and the Count of Rochefort, and the trio of swashbuckling heroes find themselves once again fighting for the good name of the Queen and the life of Constance.

The entire first series of the historical sitcom, created by Rowan Atkinson, Richard Curtis and Ben Elton. Atkinson plays the scheming member of a 15th century royal court, with Tony Robinson as his witless sidekick Baldrick. The episodes are 'The Foretelling', 'Born to Be King', 'The Archbishop', 'The Queen of Spain's Beard', 'Witchsmeller Pursuivant' and 'The Black Seal'.

Widely acclaimed re-telling of the classic story from the 1970s. Generally regarded as being one of the better adaptations of Bram Stoker's classic tale, this version features a standout performance by Louis Jourdan as the Count, and benefits by remaining faithful to the original storyline. Jonathan Harker (Bosco Hogan) travels to Transylvania to help the Count prepare for his move to England. After succumbing to the Count's powers, Harker is kept prisoner in Dracula's castle before returning to England, determined to destroy the vampire.

First comprehensive look at how today's German literary fiction deals with questions of German victimhood. In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of "ethnic" Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's The Air War and Literature and Grass's Crabwalk are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety ofthese texts. An opening section on the 1950s -- a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration -- provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schoedel, and Stuart Taberner. Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds. Karina Berger holds a PhD in German from the University of Leeds.

A collection of essays offering a nuanced understanding of the complex question of identity in today's Germany. This collection of fifteen essays by scholars from the UK, the US, Germany, and Scandinavia revisits the question of German identity. Unlike previous books on this topic, however, the focus is not exclusively on national identityin the aftermath of Hitler. Instead, the concentration is upon the plurality of ethnic, sexual, political, geographical, and cultural identities in modern Germany, and on their often fragmentary nature as the country struggles with the challenges of unification and international developments such as globalization, multiculturalism, and postmodernism. The multifaceted nature of German identity demands a variety of approaches: thus the essays are interdisciplinary, drawing upon historical, sociological, and literary sources. They are organized with reference to three distinct sections: Berlin, Political Formations, and Difference; yet at the same time they illuminate one another across the volume, offering a nuanced understanding of the complex question of identity in today's Germany. Topics include the new self-understanding of the Berlin Republic, Berlin as a public showcase, the Berlin architecture debate,the Walser-Bubis debate, fictions of German history and the end of the GDR, the impact of the German student movement on the FRG, Prime Minister Biedenkopf and the myth of Saxon identity, women in post-1989 Germany, trains as symbols and the function of the foreign in post-1989 fiction, identity construction among Turks in Germany and Turkish self-representation in post-1989 fiction, the state of German literature today. Contributors: Frank Brunssen, Ulrike Zitzlsperger, Janet Stewart, Kathrin Schoedel, Karen Leeder, Ingo Cornils, Peter Thompson, Chris Szejnmann, Sabine Lang, Simon Ward, Roswitha Skare, Eva Kolinsky, Margaret Littler, Katharina Gerstenberger, and Stuart Parkes. Stuart Taberner is Lecturer in German, and Frank Finlay is Professor of German and Head of the Department of German, both at the University of Leeds, UK.

First comprehensive look at how today's German literary fiction deals with questions of German victimhood. In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of "ethnic" Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's The Air War and Literature and Grass's Crabwalk are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety ofthese texts. An opening section on the 1950s -- a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration -- provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schoedel, and Stuart Taberner. Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds. Karina Berger holds a PhD in German from the University of Leeds.